Gothic Ruin
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A scratchbuilt cathedral ruin, made principally from foamboard. The window tracery was printed onto card with an inkjet and then cut out with a scalpel. |
Materials
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Printing Card Templates
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Constructing Windows
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![]() The rose window |
First, cut out all the window templates along the black lines. The grey inner lines on some sections show where the other window section will be positioned. Use a sharp scalpel, and you will probably need at least one fresh blade.
Once you have cut out all the templates, you can stick them together with PVA. If you want semi-ruined windows, as shown in the example, then don't cut the ruined sections away until they are stuck together, or you may not get the cut ends lined up. The layering up of the card makes it considerably stronger, so you will definitely need three thicknesses on the larger rose window. The fatter set of tracery obviously goes in the middle of the three pieces. With the smaller windows, you can get away with only applying one outer tracery to the inner tracery, which saves a lot of cutting time. On my building I put this on the outside, because it's more prominent (although on a real gothic church, if one side is plainer than the other, it is more likely to be the outside). |
Main construction
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The main walls are two big slabs of 5mm foamboard. To get the ruined edge, sketch out the line with a pencil. Then use a scalpel to stab through at random angles along the line, till the cuts are almost continuous. Turn the board over and do the same on the other side, and then you should be able to break it in half leaving a jagged edge.
Put the windows on the board and draw round them, then cut out (getting them in a straight line with a ruler first, obviously). This will give a good snug fit into their apertures. The base of the wall is thicker than the upper levels. Mine is made with a piece of polystyrene that I had lying around, but it was so much effort to cover the texture of the beads with filler, that I would recommend just sticking an extra thickness of foamboard each side of the main piece. |
Buttresses and Detailing
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The buttresses are 10mm wide strips of foamboard. The sloped tops are created by sawing it off at an angle with a scalpel, and then capping the buttress with a piece of card once it has been glued to the wall. Towards the bottom the outer buttresses are thickened with another layer of buttressing. The corner has also been thickened up with two rectangular pieces of foamboard.
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![]() Undead prowl the ruined cathedral |
Internal Column
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The Floor
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The floor is made of card pieces cut from the template. Use a scalpel to add notches or to clip off corners for a more weathered look. To lay the floor, start in the corner where the two walls meet, and work your way outwards in rows. The diamond pattern is a bit fiddly, especially in the corner, but well worth the effort. You could place a few out of position, to make it look as though the floor is disintegrating. |
Rubble and Texture
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To build up the ruined atmosphere, I stuck a few bits of rubble here and there. These were cut from left-over scraps of foam card. I also used some of the scraps of window tracery, that had been cut off to create the ruined windows.
The polystyrene section at the base of the wall needed texturing. To do this, I used Tile Adhesive, but you could use ordinary filler instead. If you are trying to cover up polystyrene beads, you will need to put it on quite thickly. Cut a rectangle off an old credit card, and use it to plaster it on. Texturing the foam board is a bit easier, just water down the filler/adhesive and paint it on with a really old brush to give it a slightly gritty masonry look. The ends of the foam board will need a bit more than a smear of painted on filler. Wait till that is dry, then paint PVA on with an old brush, and sprinkle with sand. At this stage you can also do the base, and add a few random patches of sand around the rubble and at the base of the wall. |
Painting
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There is a tendency (I know, because I've done it), to always paint stone grey. Although some stone is grey, most isn't, particularly when it has weathered and collected dust and grime. Don't give in to the cliche, but instead go for a more natural pale brown-grey. Most of the gothic cathedrals were built in cream coloured stone.
Then you can weather it a bit with some blotchy washes of greens and browns (vary the colours, but keep it subtle, don't splash on bright grass green). I used an airbrush on this (for the first time) to spray on some random patches of these various colours. To paint the floor, paint on the base colours at the same time as the first stage above. The 'white' tiles are actually nowhere near white, just a pale brownish grey. When you are drybrushing, you can just apply the same treatment to these areas, and this will weather them down nicely, so they all blend in. |
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